Amzing vid by Gemamisas Great images!



Lovely vid by 85Dreaming Enjoy kiddies.
Music: Late Night Alumni - Beautiful

Nothing new, just a collection of Twilight images.

Much more under the CUT

More after the jump

Very interesting read. Don't miss this. via KStewAngel

Can the Indie-Minded Kristen Stewart Become a Box Office Star After Twilight Fades?

NYMag.com Kristen Stewart is the lead actress in one of the biggest Hollywood franchises ever, and if she seems caught off guard by her massive fame (and she does, often), she's not as shocked as Jodie Foster. "I am surprised she is an actress," Foster recently told E!. When Stewart was just 11, she played Foster's daughter in the David Fincher thriller Panic Room, and "I didn't think [stardom was] where she was headed," Foster confessed. "And even though her mom said, 'No, she really, really wants to be an actress,' I felt like, 'Nah, she won't because she really doesn't have the stereotypical personality."

What Foster means, of course, is that we're used to seeing our female movie stars a certain way: bubbly, ambitious, and willing to do hard time in run-of-the-mill romantic comedies if it eventually leads to eight-figure paychecks and one prestige picture that nets them an Oscar nod. To say the least, the 20-year-old Stewart has circumvented that route on her path to the top, but what comes next for such an unconventional starlet? Does Kristen Stewart actually want to be a movie star, and what kind of post-Twilight prospects does she have? Vulture asked industry insiders those questions to answer that Star Market perennial: If Kristen Stewart were a stock, should you buy, sell, or hold?

More after the jump

The FulmSchoolRejects
5. James Gandolfini and his accent
Scott referenced Gandolfini as being a “bear”, but also a man of sensitivity and commitment. One day on set he punched a hole through a wall from frustration, but only due to feeling like he wasn’t doing what he was supposed to. Gandolfini is someone that’s always going to be tagged with playing Tony Soprano, but with roles like this, Carol in Where the Wild Things Are and In the Loop, you forget about that Jersey gangster he once played. Gandolfini makes Doug Riley into one of the most sympathetic characters of the year.

As for his accent, it must be brought up since Scott seemed key on going on record about it, but it’s consistent and his Indiana drawl adds to his old fashioned sense. Apparently, a certain journalist didn’t feel that way and told Gandolfini right off the bat at a press conference that it wasn’t consistent, but it is.

4. Stewart’s hair twirling
I didn’t plan on asking Scott about this, it’s a silly topic and critique, but many continue to (oddly) complain. Towards the end when Scott was discussing the critical reaction to the film and Kristen Stewart, who once again shows her vast potential outside the Twilight universe, I randomly brought up the hair twirling. If any of you has ever been around a teenage girl, you know they twirl their hair, and Scott knows and defends that. Why do they do it? Who knows, but they do it. Stewart understands that along with plenty of the other tics nervous girls have; fidgeting, biting your lip, to staring downwards.

3. It is visually restrained
Jake Scott comes from the world of music videos, a universe in which you can getaway with doing almost anything visually, even if it’s not appropriate or fitting to the song at hand. Scott says that he strayed away from that with videos and even more so with Welcome to the Rileys.

Scott cited his debut film Plunkett & Macleane as him unleashed, here that’s not the case. But he did argue that the film isn’t quite getting it’s due when it comes to the visuals, many critics have been lamenting it without flair, but that’s not the case. Scott fills the screen with plenty of symbolic shots, he frames characters perfectly representing their emotions, and even switches up styles for the state of the story and the drama.

2. It’s not creepy
The idea of a 50-something old man shacking up with a teenage stripper/prostitute to feel like a father again is a creepy idea. For the first few minutes, there is nothing but awkwardness between the two. Smartly so, Scott uses certain techniques to hideaway any readings of sexual tension: Scott talked about how he avoided shooting Mallory dancing for Doug in the beginning, if he had, Doug could have come off like a pervert and more off-putting than sympathetic.

There’s also moment or two where both Scott and screenwriter Ken Hixon show that Doug knows how odd the situation is whether it be with a glance or a subtle line. Initially, though, the script contained a sexual tension and ambiguity between the two. Scott decided it didn’t seem appropriate for the two.

1. Don’t expect American Beauty 2
If Welcome to the Rileys took the path of American Beauty with poking fun at its characters and their situations, it could have been despicable and more than morally questionable. The film follows three very sad and depressed individuals, two of them deal with child loss, so the idea of throwing humor in at their demise would have been tonally erratic. Scott mentioned during the development there was a little humor involved, but thankfully, comic relief was taken out.

Welcome to the Rileys is now in theaters.

via KStewAngel

Pic source: robkris13 Thanks girl!   More photos HERE

It's October 29th. Don't forget to check out 'Welcome to the Rileys' today!

Rob gives some Connecticut students a sweet surprise by filming a message for them while on break from Breaking Dawn in Louisiana.
Thanks Jamie L. of PopSugar

In case you missed the main post about this wonderful surprise CLICK HERE

"We see right through your vampire skin, Pattinson." -lol

CNN

Thanks PeachRose for the tip!

DATING!!! In case that was still a serious question. lol

PopEater via kstewartfans





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Kristen's previously posted PopEater Interview for WTTR

Kristen Stewart is often painted as one of Hollywood’s most awkward starlets—painfully shy, ill-suited to the spotlight and, for better or worse, entwined with the Twilight saga and her embodiment of its romantic heroine, Bella Swan. In Welcome to the Rileys, the 20-year-old actor plays Mallory, a teenage runaway stripper who forms a fast, intense bond with the grief-stricken Doug (James Gandolfini), who lost his daughter in a fatal accident. Together they create an ad hoc family only slightly more dysfunctional than most. We spoke with Stewart about Twilight, Rileys and hanging out in strip clubs.

You seem very attracted to roles in which you play someone who is defiant, constantly fighting for something—emotionally, physically. What is Mallory fighting for the hardest?
I think she’s just trying to survive. She’s had a rough upbringing, which has taken something from her on a really basic level. It’s hard for a young girl in the normal world, but put her on the streets…she doesn’t realize that she does actually need people, that she needs to have a capacity to trust, accept and love other people. She sees and tastes that with Doug, realizes she can have it, and she’s not dead yet.

You shot this film between Twilight and New Moon, before Twilight had even been released, and you were still very young. Did you feel ready to play a runaway stripper at that point in your life?
I think I was 16 or maybe freshly 17 when I first read [the script for Welcome to the Rileys]. I was really intimidated, and I’m really glad that the film took the time that it did to find its legs, because I wasn’t in the position to play the part [then]. I wouldn’t have jumped into it as much. I would have been afraid of it.

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Previously posted